Two competing antique dealers have their shops opposite each other in a small shopping street. The distinguished Roeder deals in valuable art objects, while the owner of Billy's Art Shop offers cheap imported goods from Hong Kong.

Detective Maggie Sullivan comes face to face with her traumatic past when she must solve the case of the rape and murder of a young girl.

On the night of a crippling transit strike in Berlin, two strangers are thrown together while their personal lives fall apart. After Maggie’s every possession is packed into Sam’s taxi, they discover a spark. But as the meter ticks – and the night gets weirder – it dawns that timing might be everything.

5 twenty something woman meet at the same Italian restaurant every Sunday night to discuss the fact they are not getting any. A sort of Sex in the Valleys

The narrative unfolds as a timid young man, Cal, arrives for a date at the penthouse of June whose house resembles a whimsical modern art installation almost like Pee-Wee's Playhouse. He offers her roses, only to have them immediately rejected. What follows is a series of absurd, slapstick-inspired events—breaking a decorative bust, accidentally putting a fish in the June’s drink—that culminate in Cal posing shirtless on her indoor “beach” set, sparking June's creative epiphany and leading her to photograph him for a Vogue ad campaign. This short film was created in 1987 under the mentorship of Martin Scorsese while Gruber was a student at Columbia Film School, and has since earned a place in exhibitions at New York’s MoMA, cementing its status as a noteworthy artistic work.

A group of teens gather at a house near the rice field for the shooting of an unknown movie. Wearing army costumes, they practice with their gun, one by one, and point it at a young man, walking in the distance, who reincarnates miraculously after being shot.

The grey and depressing British industrial town Hull was a suitable place for a nihilistic avant-garde collective, which at the end of the 1970s aggressively confronted every conceivable taboo: sex, pornography, violence and self-mutilation. But COUM Transmissions was only the beginning. Led by the artists Genesis P-Orridge and Cosey Fanni Tutti, COUM soon mutated into the visionary, transgressive and absolutely uncompromsing industrial/noise band Throbbing Gristle, who were famously named ‘the wreckers of civilisation’ by a shocked conservative politician. Throbbing Gristle reinvented music by destroying it, and has to this day set an untouchable standard of radical otherness. The many rare archival clips already speak for themselves, but ‘Other, Like Me’ is an oral history narrated by the former members on screen for the first time.

Life in a remote village in the Visayas turns upside down when villagers are stricken by an unknown disease. As the village chief and doctor try to control the situation, they discover that the dead are rising from their graves.

Vera and Vanja, two vampire sisters, are forced to run for their lives, when Vera kills the leader of a biker-gang in a night club. While escaping from the bikers, Vanja gets more determined that she wants to leave the outcast vampire-lifestyle and adjust to the human world. She wants to live a normal life, even though it means the end of a life together with her sister. Vera won't accept a life in solitude and is willing to fight to make her sister stay.